Mediterranean Science Fiction Anthology

 

Ünver Alibey (ed.)
Radioactive Dreams: Mediterranean Sci-Fi Anthology
Armida Books

A Review by Emre Bozkuş

 

This unique anthology, as far as we can see the first with this topic, gathers eleven authors from across the Mediterranean area, from Southern Europe to the Middle East and Northern Africa. It explores themes of technological and societal decay, environmental disasters, and the potential consequences of our current actions for the future, all within a framework of cosmic and dystopian settings. The book features a diverse range of voices and styles, with stories ranging from space opera to cyberpunk and bio-punk, while maintaining a cohesive narrative arc through the shared Mediterranean lens.

Several of the stories revolve around the currently much debated topic of artificial intelligence. “The Absolute Order Machine” by Yasser Abu-elhassab (Egypt) explores what happens when humanity hands over its decisions to an AI. What starts as an attempt to bring order quickly spirals into chaos, as society becomes hooked on the promise of a rational world, only to find that this supposed “order” is its own kind of madness. Inspired by Sir Arthur Conan Doyle’s iconic characters Sherlock Holmes and Watson, “AI Detective Services” by Chiara de Giorgi (Italy) delves into the fear of the possible perils of artificial intelligences, a fear so profound that it has spawned various conspiracy theories aimed at halting AI’s progress. The downside of the story is that, although it seems to be a detective story, it is rooted in philosophical discourse but fails to explore it in depth, neglecting the narrative drive of a suspenseful detective story that could have left a stronger impact.

As “Impostor” by Cem Can (Turkey) proves, cyberpunk is still a powerful influence on contemporary science fiction writing. Here it lends a fresh perspective on the historical transformations of Istanbul. The main character is a thief who tries to reclaim his stolen identity. The gripping storyline explores the classical mind-body problem and the concept of identity against a futuristic, distinctly Turkish backdrop.

Two stories are centered around political and historical issues. “Opalescence” by Selin Arapkirli (Turkey) is a finely crafted tale that transports the reader into a society governed by Sharia law, following the relentless struggle of a heroine who navigates a world built on deception — yet one that feels eerily familiar. “Even More than Earth” by David Bry (France) presents an alternate reality in which the power dynamics of history are reversed — this time, people of African descent come to the rescue of those who once exiled them. By exploring racism within the framework of colonization, Bry poses a profound question: What happens when we are forced to sacrifice even the things we once considered indispensable?

Complementing such stories that clearly show the timestamp of being written in the 2020ies and correspond with themes that are also explored in mainstream literature are a number of tales that try a fresh take on classical science fiction tropes. “The Scar at the End of the World” by Dimitra Nikoladiou from Cyprus is a post doomsday story set two hundred years after a great flood that submerged Earth. In the society of this age, where anything left from our civilization is considered ‘antique’, treasure hunters diving in the Mediterranean Sea search for a very special statue. It’s a action-mystery story that unfolds masterfully.

“Reality Rip” by Elana Gomel (Israel) opens with fast-paced action, immediately setting the tone with its first sentence: “Tagging is a very tiring job.” From there, the narrative unfolds through the various connotations evoked by the word tagging. The story revolves around a typical hard sf mystery: What if there was a reality where the universe’s deepest secrets are hidden within annihilation? Set in an unknowable future, the story explores how the temporary solutions devised in a world where reality is shattered only serve to accelerate its destruction. Inspired by Vonnegut, the narrative has the depth of a novel, though its pacing is somewhat flawed. The story would have benefited from a better balance between fast paced and reflective passages.

Another story set in a hard sf context is “Reflection” by Tuğrul Sultanzade (Cyprus). It reminds of a famous quote by Nietzsche: “When you gaze long into an abyss, the abyss also gazes into you.” For the two individuals lost in the vacuum of space, this metaphor becomes strikingly real. Their hopes for life on distant planets gradually dissipate as they plunge into endless darkness. “Reflection” is an impressive and thought-provoking work, leaving readers with an unsettling yet captivating sense of existential dread.

It might by argued that soft science stories revolving around psychological and social topics, originating in the idea of “inner space” in the British new wave science fiction of the late 1960ies, are by now just as classic as hard sf settings. The anthology includes three fine examples of this sub-genre. “To Sleep, and Not to Dream” by Hephaestion Christopoulos (Greece) explores the question what would be if we no longer had dreams and if colors, sounds, and smells vanished. What if touch lost its sensation and surfaces turned indistinct? Through the the eyes of a character who realizes how alien he is to everyone around him, we follow the search for his identity. As the story unfolds the reader finds himself in a dark and haunting dreamscape. “Death Doesn’t Change Anything” by Julia Richard (France) follows a relationship that begins happily but gradually drifts into an unsettling reality because nothing is quite as it seems. Blurring the line between obsession and madness, “Crawling Things” by Onur Selamet (Turkey) explores the lengths to which people will go for their beliefs. The protagonist, convinced he is communicating with the consciousness of a star-like being, begins to lose control, causing the reader to wonder: Is our reality all there is? Is it really impossible that transcendental ideas have a factual foundation? And what would one be willing to do to prove it?

From the Mediterranean shores to the farthest reaches of possibility, this anthology serves as a powerful reminder that science fiction is not merely escapism — it is a lens through which we explore, question, and redefine the future. In the collision of diverse minds, perspectives, and experiences, Radioactive Dreams offers readers a compelling invitation: to envision a world where the impossible becomes tangible and to realize that the dreams of today can shape the realities of tomorrow. In a rapidly changing world, these stories remind us that even in fiction, the power of ideas can be as transformative as the world itself.

Reading period

Important news for authors interested to be published in our magazine:

Due to the number of submissions we are forced to introduce a dedicated reading period. Stories and articles may be submitted all year but from now on will only be read between August and October.

Expanding the team

Our small team has recently been extended with three new proofreaders, Jim Henderson (USA), Vaughan Stanger (UK) and Zach Smith (USA) who have already published own works in InterNova or will be featured in some of the coming issues. They will join in the editorial work with InterNova online #7.

One post, however, is still vacant. Coming issues of InterNova online and print are planed to introduce header illustrations for all stories. For this an artwork editor is needed who will enjoy researching the international scene of science fiction illustrators and artists of related styles and select header artworks for fiction contributions. If this sounds interesting for you and you would consider to join our team, please contact the editor at internova@worldculturehub.net

 

InterNova Hiatus

We have to apologize that there have not been any activities with InterNova for quite some time. Our small team has been suffering from the severe economic situation which is especially troublesome for freelancers and job starters. We are determined, however, not to let the magazine go to waste and have picked up work again to resume activities. New online issues and other content are in preparation, among them theme issues about science fiction from India and contemporary German science fiction.

 

January 2024


InterNova online #5:
Uncommon Relationships

This issue is also available for free download as a pdf file and in various ebook formats here.

 

 


Editorial

 

Ahmed A. Khan (Canada)

Physiognomy Works!

 

C. M. Teodorescu (Romania)

Spin Happy

 

Álex Souza (Brazil)

Invisible Bodies

 

Bill Kitcher (Canada)

The Last Day On Rigel X

 

Sven Kloepping (Germany)

Bloodhound

 

Mike Jansen (Netherlands)

Eudaimonia

 

Mark Tiedemann (USA)

Rain From Another Country

 

Jeremy Szal (Australia)

Dead Man Walking

 

Bonnie Jo Stufflebeam (USA)

The Damaged

 

Vaughan Stanger (UK)

Star in a Glass

 

Exodus 47 published

With the publication of issue #47 the German science fiction magazine Exodus celebrates its 20th year. Exodus is, along with InterNova’s mother magazine Nova, the leading German science fiction magazine, with a slightly different concept than Nova, always including a poetry section and with a focus on science fiction and fantastic art by artists from the German language area. Issue #47 presents thirteen new short stories by new and established writers such as Peter Schattschneider, Norbert Stöbe and Wolf Welling and a portfolio by Ingo »Krimalkin« Lohse.

New Content

Two new content categories have recently been added to the InterNova homepage:

The World SF News – somewhat inspired by Lavie Tidhar’s defunct World SF Blog that has run from 2009 to 2013 – are as yet still in an embryonic state but we are building up a team of correspondents that will keep us up-to-date about the latest sf news from their countries and regions, covering publications, translations, events, and personal matters.

The World SF Link Collection is a growing collection of links to surveys, author homepages, club and association websites, references sources etc. of importance for the science fiction production of regions, countries and cultural spheres all over the world. It’s far from raising any claim of completeness but it will be extended constantly and we hope that over time the initial content will grow into a reliable and comprehensive information source for reading and studying global science fiction.

Both categories can be accessed at the bottom of the right hand sidebar.

Deutscher Science Fiction Price: winners annouced

The jury of the Deutsche Science Fiction Preis (German Science Fiction Award), one of the most prestigious German science fiction awards, bestowed by the largest German science fiction club SFCD, has just announced this year’s winners: in the novel category to Nils Westerboer for Athos 2643 (Klett-Cotta Hobbit-Presse) and in the story category to Aiki Mira for »Die Grenze der Welt« (Exodus 44).

 

Guy Hasson’s Lost in Dreams series

Israeli science fiction writer Guy Hasson, one of InterNova‘s longest and most frequent collaborators, has recently announced that his latest book The Forgotten Girl, the first novel in his Lost in Dreams series, will be published within the next weeks. It is his first self-published book and will be for now only available in e-book format on Amazon. Lost in Dreams is an adventerous and imaginative saga about a girl who is raised in the dreams of her father.